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1986.05.13 - Raji's, Los Angeles, USA

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1986.05.13 - Raji's, Los Angeles, USA

Post by Soulmonster on Sat Sep 17, 2011 12:11 am

May 13, 1986.


Los Angeles, USA.

01. You're Crazy
02. Rocket Queen
03. Don't Cry
04. My Michelle
05. Paradise City
(Incomplete setlist)

Axl Rose (vocals), Izzy Stradlin (rhythm guitarist), Slash (lead guitarist), Duff McKagan (bass) and Steven Adler (drums).

None known.

Played under the moniker "Fargin Bastygdes". 'You're Crazy' (Appetite for Destruction version) played live for the first time.

Raji's was a total dive, probably a twenty-by-twenty foot room that reeked of beer and piss with a PA that sounded like an outdated console permanently in the red. The stage was a foot high, packed against the farthest wall from the door; the bathrooms were more disgusting than CBGB's [...] That show was fucking amazing: it was dirty, muddy, shoddy, and teetering on chaos as Guns ever was in my mind. It was as honest and true as Guns N' Roses ever got, because I did a big hit of smack before we went on, which, mixed with the liquor I had already been drinking, made my stomach so rotten that I'd turn around and blow chunks over the back of my amps every five minutes. I had a new guitar tech, Jason, who had to keep jumping out of the way to avoid getting coated. The overwhelming heat in there didn't help the situation much. That show was so rambunctious, the audience so full of unruly diehards, that Axl ended up getting into a fight with some guy in the front row - he might have smashed him in the head with the base of his mike stand. The whole show was a fucking riot; there was so much energy packed into that tiny little overheated box of a room. It was fucking awesome. There's a picture of that gig on the inside sleeve of Appetite for Destruction [Slash's autobiography, p 144-145].

The original way 'You're Crazy' was written was without the curse words. THEY didn't come in until it came on full electric, in front of a crowd with some girl trying to hit me with a beer bottle, and I started directing the words directly at her. That's where the curses happened. I stamped her head with the bottom of my mic stand, and she kept coming at me! I didn't even know her -- nobody in the band knew her. She hit Duff with a beer bottle.

It was at Raji's, Paul Stanley was there as well as the Geffen people. The stage is only like six inches off the ground and the crowd stands right up against you. You only have like eight inches to breathe. This girl is trying to kill me and I didn't even know who she was. Her boyfriend was in another band and he thought I was God, she thought I was God, she was just on bad drugs or something.

It was really weird cause her boyfriend was shaking my hand backstage going, 'man, you're the greatest,' and I was trying to be nice but I could never shake this guy. He was there when I first came in, he was there at the side of the stage, but he must not have been looking when I hit his girlfriend with the mic stand. All of a sudden he goes, 'Wait, you hit my girlfriend? I'm gonna kill you!' And that was it, I started tearing him to shreds. Robert, our photographer, jumped in the way, fell down, I went to kick the guy and kicked Robert instead. Then the guy got loose, he came at me, Robert jumped in the way again and got kicked in the nuts! He wasn't having a very good time. The guy had grabbed one of Steven's drum stands by then, and the security guard had grabbed me. I had this security guy pinned against the wall, and my hands were filled with the other guy's hair. It was a huge mess
[Rock Scene, April 1988].

Next concert: 1986.05.31.
Previous concert: 1986.05.01.

Last edited by Soulmonster on Mon Apr 09, 2018 11:01 pm; edited 1 time in total
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Re: 1986.05.13 - Raji's, Los Angeles, USA

Post by Soulmonster on Sat Jul 05, 2014 9:53 pm

Paul Stanley talks about this gig in his autobiography:

Howard Marks, our business manager, called me one afternoon and said he’d gotten a call from Tom Zutaut, an A&R man famous for siging Motley Crue. ‘Tom just signed this band,’ Howard said, ‘and wanted to know if you want to go check them out. They’re looking for a producer.’
Well, Gene was off making another movie. We weren’t going to work on the next record until the following year. Why not?
Howard came with me to meet the band—a bunch of young guys called Guns N’ Roses. We had arranged to meet them at an apartment their manager had rented for them near the corner of La Cienega and Fountain. I introduced bald, pot-bellied Howard as my bodyguard, as a joke; but after looking around for a few minutes, I could see why they didn’t get it.

Izzy was unconscious, with drool coming out of the side of his mouth. It wasn’t clear whether he was sleeping or dead—that’s how rough he looked. Duff and Steven were very nice, and Steven was just flowing about what a big KISS fan he was. I didn’t realize that the half-comatose, curly-headed lead guitar player who called himself Slash was what had become of the sweet kid I’d spoken to during the interviews before the recording of Creatures a few years earlier. Then Axl chatted with me and played a few songs on a crappy cassette player they had lying around.
When he played ‘Nightrain’ I thought it was really good, but I told him that maybe the chorus could be used a pre-chorus instead, and there could be another chorus added afterwards. That was the last time he ever spoke to me. Ever.
Slash roused himself, and he and I started talking about the Stones. I show him Keith’s five-string open-G tuning, which was the set-up Keith used to write all his stuff. I took a string off and retuned a guitar, and he thought it was very cool. I also offered to help Slash get in touch with people who could hook him up with some free guitars—we were sponsored by all sorts of instrument companies, and I figured a young guy like him could use some help getting equipment to record with.

That night, I went to see their gig at Raji’s, a little dive in Hollywood. I thought the song they had played for me were good, but they didn’t prepare me for seeing their band live. Guns N’ Roses were stupendous. I was shocked, given the collection of wastoids I’d seen earlier that afternoon, and I immediately realized I was witnessing true greatness.
I went to see them perform again at another club, called Gazzarri’s—it later became the Key Club. They weren’t happy with the guy mixing their sound, and Slash asked me out of the blue to help out. Decades later, Slash’s recollections of the night would be faulty at best. He liked to pretend I had dared to meddle with their sound. God forbid this guy from KISS would have anything to do with Guns—I mean, what could be worse than a guy from KISS, of all things? He also recalled that I had a blond trophy wife with me. But I wasn’t married and was in fact there with a short brunette named Holly Knight, who was a songwriter famous for ‘Love Is a Battlefield,” among other hits. There is obviously a reason why defense attorneys never want to put alcoholics or drug addicts on the witness stand.

That was years later of course. Immediately after my interactions with the band, I started to hear lots of stories Slash was saying behind my back—he called me gay, made fun of my clothes, all sorts of things designed to give himself some sort of rock credibility at my expense. This was years before his top hat, sunglasses, and dangling cigarette became a cartoon costume that he would continue to milk with the best of us for decades.

I didn’t wind up being involved with G’n’R’s album. No surprise there. The surprise came a few months later when Slash called me and wanted to follow up on my offer to help him get some free guitars.
‘You want me to help you get guitars after you went around saying all that shit about me behind my back?’
Slash got real quiet.
‘You know, one thing you’re going to have to learn is not to air your dirty laundry in public. Nice knowing you. Go fuck yourself.’

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