Since I Don't Have You
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Since I Don't Have You
Album:
The Spaghetti Incident?, 1993, track no. 1.
Written by:
Joseph Rock and James Beaumont (The Skyliners).
Musicians:
Vocals: W. Axl Rose
Lead & Rhythm Guitars: Slash
Acoustic Guitar: Gilby
Bass: Duff McKagan
Drums: Matt Sorum
Piano: Dizzy Reed
Keyboards: W. Axl Rose
Live performances:
'Since I Don't Have You' has never been played live.
The Spaghetti Incident?, 1993, track no. 1.
Written by:
Joseph Rock and James Beaumont (The Skyliners).
Musicians:
Vocals: W. Axl Rose
Lead & Rhythm Guitars: Slash
Acoustic Guitar: Gilby
Bass: Duff McKagan
Drums: Matt Sorum
Piano: Dizzy Reed
Keyboards: W. Axl Rose
Live performances:
'Since I Don't Have You' has never been played live.
Lyrics:
I don't have plans and schemes,
And I don't have hopes and dreams.
I don't have anything,
Since I don't have you.
And I don't have fond desires,
and I don't have happy hours.
I don't have anything,
Since I don't have you.
Happiness, and I guess,
I never will again.
When you walked out on me,
In walked ol' misery,
And he's been here since then.
(spoken) Yeah, we're fucked!
I don't have love to share,
And I don't have one who cares.
I don't have anything,
Since I don't have you.
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh yeah!
I don't have plans and schemes,
And I don't have hopes and dreams.
I don't have anything,
Since I don't have you.
And I don't have fond desires,
and I don't have happy hours.
I don't have anything,
Since I don't have you.
Happiness, and I guess,
I never will again.
When you walked out on me,
In walked ol' misery,
And he's been here since then.
(spoken) Yeah, we're fucked!
I don't have love to share,
And I don't have one who cares.
I don't have anything,
Since I don't have you.
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh, oh!
You, you, you, oh yeah!
Quotes regarding the song
It's a terrible song. I don't like it. When we did the Punk album [The Spaghetti Incident?], we'd record stuff on days off. We did 'Since I Don't Have You' in Boston in one day! I didn't think it was gonna be on the record. I dug cutting the T-Rex song - that was cool. But I thought we were making a Punk Rock cover album. And then it turned into being not a Punk Rock cover album! But, it's not my choice. When people ask me about the song, I just say, 'Look, I don't like it'.
Kerrang!, May 24, 1994
(...) and the single which wasn't the best idea at all, was 'Since I Don't Have You,' though it was a stellar version of that song.
Bozza, Anthony, & Slash (2007). Slash. Harper Entertainment: New York, p.376
Axl wanted to do "Black Leather" and "Since I Don't Have You," which he used to sing all the time. [...]
I played Gilby's Tele on "Since I Don't Have You" because I had rented a Les Paul that was a piece of shit.
I played Gilby's Tele on "Since I Don't Have You" because I had rented a Les Paul that was a piece of shit.
Guitar Player, January 1994
When we started rehearsing, living in a little craphole on…[...] Off Sunset and Gardener. It was just a song for some reason I wanted to do and Slash wanted to do a long time ago, and we don't really know… we felt indicated…[...] I don't know why I really liked that song, I just did and then… We were on the road, we had three days off in Boston, and the song just fit things at the time and we had some time so we went in and did it without having any clue of what it was gonna sound like musically. Because it's a completely different string arrangement and everything in the original. And we went in and just had fun with it.
Rockline 1994
There's a good story going behind that song because I think that was one of the first songs that really started to turn this "Spaghetti Incident" thing into an actual album. And we did it on off time on the road and recorded it in Makeshift studios in Boston. Brought rental gear down there 'cause all our gear was on the track. And that was how badly we wanted to do it. We just… you know, pulled out whatever we had. And talking about Gilby's guitar… We used his practice guitar and we used rented gear and this and that. We couldn't find a guitar store in Boston.
Rockline 1994
When we did that song 'Since I Don't Have You', we were in Boston with a day off and I got on the phone and asked for the best recording studio. I found out there are no fucking recording studios in Boston! Anyway, we finally found a place and I said, "This is Slash from Guns N' Roses," and at first they didn't believe me. Anyway, we rented some gear, I borrowed Gilby's piece-of-shit practice Tele that he has for before show warn-ups, and we just showed up and played. The whole thing was done in a way that I would like Guns N' Roses to more or less be, within the confines of the business we're in. But it was fun, it was sort of like an outlet.
Guitar, February 1995
i'ts a good song. i just didn't think it fit with the original idea of songs that influenced the band. it didn't rock
Unknown source, August, 2011
When we recorded "Since I Don't Have You," I didn't know we were recording that song until I got to the studio. We jammed that song a couple of times at soundchecks, and I was like, "Well, if we're going to do it slow like that, my contribution is acoustic guitar." I'm all the acoustics on it, because I liked what Slash was doing and I didn't want to get in his way putting an electric guitar just for the sake of putting a rhythm guitar on it. I wanted to complement it. That's why a song like that I played acoustic: because I didn't want to mess around with that melody.
We cut ‘Since I Don’t Have You’ in Boston on a day off. Axl sent cassettes around and we went to a local studio and set up our own gear and cut the song. The crew was stuck somewhere, and I remember it being one of the best sessions. The engineer was a young guy in Boston we called at the last minute and showed up. I’ll never forget the look on his face. It was like, ‘Oh shit'.
'Since I Don't Have You', I remember [Axl] had brought it up, and I'd always loved that song, so I was, like, 'Yeah, that'd be a great song to do.' [...] And ['Since I Don't Have You'], I remember we just rented out some studio in the middle of the country somewhere — just found it, booked it, went in there and whipped it out. So it was a lot of fun to make.
Last edited by Soulmonster on Sun Oct 06, 2024 9:07 am; edited 19 times in total
Soulmonster- Band Lawyer
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Re: Since I Don't Have You
I always thought Gilby played on this song. Regardless of his opinion, it's a pretty good song.
hellobeatle-  
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Soulmonster- Band Lawyer
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Re: Since I Don't Have You
Article with quotes from Joe Rock, the composer of the song (Pittsburgh Post Gazette, January 28, 1994):
Blackstar- ADMIN
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Re: Since I Don't Have You
I must admit I kinda like this cover - it had (and has) a certain "50's feeling" to it.
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Soulmonster likes this post
Blackstar- ADMIN
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Re: Since I Don't Have You
We cut ‘Since I Don’t Have You’ in Boston on a day off. Axl sent cassettes around and we went to a local studio and set up our own gear and cut the song. The crew was stuck somewhere, and I remember it being one of the best sessions. The engineer was a young guy in Boston we called at the last minute and showed up. I’ll never forget the look on his face. It was like, ‘Oh shit'.
Soulmonster- Band Lawyer
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Re: Since I Don't Have You
'Since I Don't Have You', I remember [Axl] had brought it up, and I'd always loved that song, so I was, like, 'Yeah, that'd be a great song to do.' [...] And ['Since I Don't Have You'], I remember we just rented out some studio in the middle of the country somewhere — just found it, booked it, went in there and whipped it out. So it was a lot of fun to make.
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