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SoulMonster

1988.08.24 - Great Woods, Mansfield, USA

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1988.08.24 - Great Woods, Mansfield, USA Empty 1988.08.24 - Great Woods, Mansfield, USA

Post by Soulmonster on Thu May 03, 2012 7:25 am

Date:
August 24, 1988.

Venue:
Great Woods.

Location:
Mansfield, USA.

Setlist:
01. It's So Easy
02. Mr. Brownstone
03. Out Ta Get Me
04. Patience
05. Welcome To The Jungle
06. Paradise City
07. Sweet Child O' Mine
08. Knockin' On Heaven's Door

Line-up:
Axl Rose (vocals), Izzy Stradlin (rhythm guitarist), Slash (lead guitarist), Duff McKagan (bass) and Steven Adler (drums).

1988.08.24 - Great Woods, Mansfield, USA Rightarrow Next concert: 1988.08.25.
1988.08.24 - Great Woods, Mansfield, USA Leftarrow Previous concert: 1988.08.20.
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1988.08.24 - Great Woods, Mansfield, USA Empty Re: 1988.08.24 - Great Woods, Mansfield, USA

Post by Blackstar on Sun Apr 28, 2019 10:55 pm

Sort of preview for the three shows in The Boston Globe, August 12, 1988:

1988.08.24 - Great Woods, Mansfield, USA 1988_048
ODDS & SODS: Vets v. rookies: You have to figure the three Aerosmith/Guns n’ Roses dates at Great Woods Aug. 24-26 shape up as a pretty hot duel on the applause and ego fronts. Guns n Roses recently hit the top of the charts with their debut LP, “Appetite for Destruction”; Aerosmith’s durable, platinum-plus “Permanent Vacation" is their most successful disc since 1973's "Toys in the Attic.” Consider this, too: Guns 'n' Roses covered an Aeros-mith song in their Boston club debut. admittedly draws from the Aerosmith tradition and reportedly indulges in the sort of offstage excess Aerosmith has put behind them ...
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Post by Blackstar on Sun Apr 28, 2019 10:59 pm

Review in The Boston Globe, August 25, 1988:

1988.08.24 - Great Woods, Mansfield, USA 1988_049
1988.08.24 - Great Woods, Mansfield, USA 1988_050
A metal slugfest in decibel heaven

AEROSMITH - In concert with Guns 'n Roses at Great Woods Center for the Performing Arts last night, through tomorrow.


By Steve Morse
Globe Staff

MANSFIELD - Three shows. Three sellouts. Three hlgh-tilt metal slugfests. That’s the latest menu at Great Woods, where Boston's Aerosmlth and Los Angeles' Guns 'n Roses are combining for the headbanger's event of the summer.

The Mansfield woods, despite soggy conditions, were electrified in a hurry last night. Just ask the 15,000 souls who screamed through Guns 'n Roses -and then screamed even louder when favorite sons Aerosmlth came out to defy the aging process, playing like young studs instead of the nearing-40 old pros they really are.

In last night's first of the three sellouts, both acts ripped their way into decibel heaven. Each clearly thrived on the competition, for this was no routine pairing of heavyweight headliner and flyweight opener. Guns 'n Roses have the No. 2 album in the country with “Appetite for Destruction," while Aerosmith have sold more than 3 million copies of their latest, "Permanent Vacation."

Guns 'n Roses more than held their own. Long-haired singer Axel Rose, sporting a headband and an "Eat the Worm" T-shirt, had a leathery voice that could peel the side of your brain. He paid respect to Aerosmith (citing them as a main influence), while he and the other Guns echoed many an Aerosmith mannerism, from Axels mikestand-twirling to the efforts of lead guitarist Slash (no last name) to look and play like Aerosmith's Joe Perry.

Hut cloning aside, Guns blazed. Yes, they overdid the four-letter words between songs. Yes, they overdid a self-conscious party image (the rhythm guitarist was introduced as "the king of beers," the drummer as "the biggest pot-head I know," said Rose). But there was no question of their ability to rock. Their hit "Welcome to the Jungle" roared into the night, while their most recent hit, "Sweet Child of Mine," showed a knack for power ballads. And their finale of Bob Dylan’s ‘‘Knockin’ on Heaven's Door," was a surprisingly effective stab at more depth.

Aerosmith likewise rose to the occasion, mopping up with a self-assured set that displayed the experience of their 160 dates this year (from Europe to Japan), but with no loss of freshness. Singer Steve Tyler, outrageous as ever in flowing scarf and semi-see-through pants, sang the band’s ancient hit, "Same Old Song and Dance," but there was nothing ancient about the presentation.
Much has been said about Aerosmith's new drug-free stance (no one In the band even drinks alcohol anymore), but they’re living proof that a clean diet doesn't have to run counter to a rock ’n’ roll spirit. Tyler sang like a blues-man on a rampage, while Perry, who stripped off his shirt and showed the muscle-tone of a gymnast, played the most aggressive, mind-expanding solos of the night.

The band keyed on tracks from "Permanent Vacation," the best being the Southern backwater stomp of "Rag Doll" and the outlaw mania of "Hangman Jury." But there was plenty of archival digging as well, as the band dusted off such old faves as "No More No More" and the bad-boy anthem, "Back In the Saddle Again." But the climax was actually the drum solo by Joey Kramer, who walked around tapping electronic drum pads wired to his stomach.
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