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APPETITE FOR DISCUSSION
Welcome to Appetite for Discussion -- a Guns N' Roses fan forum!

Please feel free to look around the forum as a guest, I hope you will find something of interest. If you want to join the discussions or contribute in other ways then you need to become a member. We especially welcome anyone who wants to share documents for our archive or would be interested in translating or transcribing articles and interviews.

Registering is free and easy.

Cheers!
SoulMonster

20. NOVEMBER 1996-AUGUST 1997: ROBIN REPLACES SLASH BUT MATT AND DUFF QUITS

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20. NOVEMBER 1996-AUGUST 1997: ROBIN REPLACES SLASH BUT MATT AND DUFF QUITS - Page 2 Empty Re: 20. NOVEMBER 1996-AUGUST 1997: ROBIN REPLACES SLASH BUT MATT AND DUFF QUITS

Post by Soulmonster Mon Jan 06, 2025 3:07 pm

WHY CONTINUE WITH GUNS N' ROSES?

As discussed in previous chapters, Axl had at different times considered releasing a solo album. Why then did he decide to continue with Guns N' Roses when the personell had changed so significantly since Appetite For Destruction and the Use Your Illusions?

Chris Vrenna would talk about discussing this with Axl after Matt left and state that Axl explained the reasons by not wanting to throw away a valuable brand that he had managed to establish:

After [Matt] left I even had a talk with Axl one time like, "You know, you're changing the sound of the band and it's really just you and we're all new dudes and we all come from cool places. But have you ever thought of just saying, f--- Guns N Roses. That name is dead. The band is over. We are now called 'blank.'"

And he goes, "Yeah you're not the first person who's told me I should probably do that. But Guns N' Roses is an international brand name, and to start over when I can just use the brand name that everybody knows, I can't sacrifice the branding that's already been established."

And I got his argument for not changing the name. But I also firmly believed in what I was saying. If Axl Rose came out and said, "Look, man. Everybody's quit the band. If I call this Guns N' Roses you guys are going to laugh at me," which a lot of people did. Because it's not what we know as Guns N Roses, so call it something new. You're Axl Rose, it will be big and people will know that new logo and that new name and that new whatever.


Moby would be clear that Axl didn't consider Guns N' Roses his solo band, but wanted the entire band to contribute:

I don't think this new music is just a vehicle for him as a solo performer. He wants this to be a band where everyone contributes. On the music I've heard, you can hear everyone's distinctive voice coming through. Honestly, they're the nicest bunch of people I've ever worked with.


And an anonymous source "close to the band":

You were talking about the way Axl tarnished his image. I think it's consistently the more interesting figures in music, or in cultural in general - they tend to be ambiguous. They're creative people who want to explore other elements of themselves. Sometimes they make mistakes. But I'd much rather a public figure make mistakes than just end up making Phil Collins-type records one after another.


Axl's decision to continue Guns N' Roses would also come in the face of harsh critique from the media:

While rumors of a new Guns N' Roses album coming sometime this year abound, fans can only speculate what the Big Return will be like. Right now, the album exists only in Axl Rose's bony cerebral orb, and considering the amount of gray matter taken up by his ego and advanced dementia, it will be a major miracle if we see a new Guns N' Roses album by the time the last bottle of champagne celebrating the new millennium has been uncorked.


In late 1999, Axl would finally shed some lights on the process, and remark that a change in lineup was overdue and imply that other band members hadn't been interested in figuring out how a modern GN'R record should sound:

So once it was really understood by me that I'm really not going to be able to make the right old-style Guns N' Roses record, and if I try to take into consideration what Guns did on "Appetite," which was to kind of be a melting pot of a lot things that were going on, plus use past influences, I could make the right record if I used my influences from what I've been listening to that everybody else is listening to out there. So in that sense, I think it is like old Guns N' Roses as far as, like, the spirit and the attempt to throw all kinds of different styles together.

[…]

To be honest, it was a long time for me since Guns N' Roses as the old lineup had been fun, and the new guys have been a breath of fresh air. People are really excited about what we got. They're really proud of it, and it was, again, it was just time. I'm not trying to put the other guys down. It's like, I think people really wanted to do different things other than try to figure out the right record here for Guns N' Roses. But at the same time, Guns N' Roses was a big thing. How do you walk away from that? It's a very complicated thing, I think, for everybody involved.


After having talked to Axl in June 2000, Gilby would indicate that this could be the case:

[Axl] talked about the new record and the new band. He was very excited. He said he's making the record he's always wanted to make and it sounds phenomenal.


Axl would also imply he felt obligated to keep the band going:

What we're trying to do is build Guns N`Roses back into something. This wasn't Guns N`Roses, but I feel it is Guns N`Roses now. […] It is something I lived by before these guys were in it. And there were other people in Guns N`Roses before them, you know. I contemplated letting go of that, but it doesn't feel right in any way. I am not the person who chose to try to kill it and walk away.
Rolling Stone, January 2000; interview from November 1999

It is the old story that you are told when you're a kid: 'Don't buy a car with your friends.' Nobody could get the wheel. Everybody had the wheel. And when you have a bunch of guys, I'm telling you, you are driving the car off the cliff. The reality is, go buy those guys' solo records. There are neat ideas and parts there, but they wouldn't have worked for a Guns N' Roses record.
Rolling Stone, January 2000; interview from November 1999

[being asked if he ever thought about playing under his own name and not Guns N' Roses]: Sometimes. But it’s more important to do the Guns N’ Roses band, and I felt that, you know, Guns N’ Roses has an important place in many fans’ hearts and I personally want to be able to try to live up to that for them. And I’m lucky to find people who wanted to help me do that.


Axl would also express being hurt with people who didn't have any faith in him continuing with the band:

There is the desire definitely to do it, to get over some of the hump of the people that are trying to keep you in the past. There are people that I thought I was friends with who are all of a sudden in the magazines, going, 'They'll never get anywhere without Slash.' Thanks a lot. Like I made this happen, you know. I basically figured out a way to save my own ass. There was only one way out, and I found it. Otherwise, you know, I believe my career was just going down the toilet. I figured out how to save my ass and then tried to bring everybody with me.
Rolling Stone, January 2000; interview from November 1999


In 2002 he would go in more detail:

If one were to say well then why not do it now [either work on the material written while Slash was in the band or reunite with previous band members] there are several reasons.1) My band, too much time, too much effort and hardship. Confidence in our material. Excitement in watching this grow and being a part of the whole experience. 2) Money. You get what you play for and nothing's free. Can you cover the cost of this venture and its financial potential that I am just supposed to walk away from and for what? To where? I do not believe in any true effort or potential regarding most of my past relationship from the other party or parties, creatively or emotionally. Without that the money from a reunion doesn't mean much and though I'm sure the alumni is up for it for me it would be as or more lacking than it was during our attempts to work together previously. As a friend and former friend of Slash said to me in regards to working with Slash, "you can only do so many pull ups." This is my shot and you can root for me to fail all you want, but there is simply way too much put into this to cater to someone else's selfish needs and destroy peoples dreams I truly care about including my own. Not too mention that though I've fought what feels like the heart of the nature of this entire industry, my own people would probably eat me alive if I opted for a lesser course. 3) Slash has lied about nearly everything and anything to nearly everyone and anyone. It's who he is. It's what he does. Duff's support for the man though understandable in one sense in regard to his circumstances, is inexcusable, and furthers my distance from the two of them. For me Matt doesn't figure into the equation and for as much as I was a friend to him he was incapable of reciprocating and life is much better without such an obvious albatross. Don't get me wrong, I'm not taking anything away from the alumni in regard to their prior performances on record or touring to support the albums. I know how I was treated and more importantly I know how they treated others during both of these things, it's not a way anyone should be forced or even asked to work. And for the record I'm referring to Slash and Matt in regards to their actions and behavior, Duff played more of a supporting role (for reasons I've never understood). For the fans to attempt to condemn me to relationships even only professional with any of these men is a prison sentence and something I wouldn't wish on my worst enemy. I'd say my parole is nearly over. I'm practically a free man and if you don't like it you'll have plenty of time to get used to the idea.


In 2008, Axl would talk more on this issue:

Why keep the name? I’m literally the last man standing. Not bragging, not proud. It’s been a fucking nightmare but I didn’t leave Guns and I didn’t drive others out. With Slash it’s been nothing more than pure strategy and saving face while manipulating the public like he used to me. I earned the right to protect my efforts and to be able to take advantage of our contract I’d worked hard for where Slash’s exact words were that he didn’t care. I get that some like a different version or lineup the same way some like a specific team line up or a particular year of a specific car but because you and I are getting played I’m supposed to throw the baby out with the bath water?

There’s been a lot of pressure to go with using my name (all external) but that never felt right to me for this band and the parameters in regard to this music have lots more to do with the mindset of Guns than something else.

As far as a new name…this is who I am not whatever else someone else thinks of. I don’t see myself as solely Guns but I do see myself as the only one from the past making the effort to take it forward whether anyone approves or not and giving beyond what many would or fight for to do so. The name helped the music more than you could ever know and I’m not talking in regards to studios or budgets I mean it as in being pushed by something and having to get the music to a place where I can find my peace regardless of what anyone says. And that wasn’t fully achieved until the last round of mastering and swapping out a version of a track at the pressing plant that had gotten inadvertently changed at the last minute.


Alan Niven would scornfully comment on this:

Everyone has the right to make the music they want to with whomever they wish. But just be up ’n’ up about it. All this ‘last man standing’ stuff from Axl is horseshit. He wore us all out. Drove us all off. And for a personality like Axl, only solo work makes sense. If he wants to be Elton Rose then more power to him. He has the talent. But don’t pretend that one person alone represents the idea of Guns N’ Roses. That band, in my opinion, played its last show on April 7, 1990. Farm Aid, Indianapolis.


In addition to these personal reasons, Axl would also point out that the industry expected him to release music under the Guns N' Roses name:

Also the name was what the industry wanted as well and the burden of keeping it was something to endure in order to make the record. After the monies invested by old Geffen (that were decisions made that have worked out for me but I'm on record as having opposed) dropping the name became suicide.

I wasn't legally obligated [to continue with Guns N' Roses] but we probably would have gotten dropped [by Geffen] and I would have been driven into bankruptcy.


And that he wouldn't buckle because of any public demand caused by a former band member's lies (extremely likely to be Slash he is referring to):

That said because someone leaves the shop I started in which I still legally have the rights to the name I started it with… makes up a bunch of nonsense to win public and legal support in an effort to get whatever it is they want at mine and the public’s expense… I don’t feel any reason whatsoever I should have to throw what I’ve not only worked for but fought and suffered for away because some hurt, angry, betrayed, misguided and lied to people with a lynch mob mentality, joined by others who could care less (especially in the media), enjoying the controversy and hate, choose one over the other regardless of what’s right because they want what they want. And you can still prefer then as opposed to now and no one’s arguing your right to do so.


And that he hadn't any other choice:

It wasn’t so much that it was a good course or that if looking back I could do something differently it’s that for better or worse it was the only course and had I not done this Slash would have succeeded in destroying me publicly much more than he, others or myself have so far and I would have gone bankrupt.

One man forced me to work with others. One man forced me to work with others to survive. And I can't say what would have happened on different terms. I say yes because it was agreed from day one. You have to realize we were on the street. It wasn't the first band. Whoever thought of the name kept the name unless he gave it up or moved on. Everyone was always having a new version of whatever their band name was. I wouldn't have thought of using L.A. GUNS or any of Slash's band names. We all knew that we could break up the next week. You had to have that stuff somewhat sorted between each other going in. It was a deal that we made. The issue becomes the value or perceived value now and the fans attachment and or acceptance. Really weren't things we consciously considered even during the breakup.


And talk about his commitment to the band:

As for selling more records it’d be nice to be in a position to possibly do so at some point but that’s never been my base reasoning. I would think it fits into not feeling I shouldn’t be forced to throw away possible opportunities in a hostile attempted takeover. I believe I should fight for Guns in a patriotic sense or sense of loyalty or honor. Not just my vision or direction for Guns as those things can evolve and you can make forward moving positive compromises by what others bring to the table but I mean more as in what principles I feel were important to Guns in regard to an overall commitment to the music.


And what "Guns N' Roses" means to him:

I don't exactly know what GUNS N' ROSES is, but I know it's my job in the sense of an obligation and I'm good with that.


He would also mention that with the name came responsibilities and public expectations that made them work harder:

It helped us get here but most of that was with Universal and the positives of that wore off years ago until recently and after the initial run it’ll be about the music and us. Then it’s about touring and there’s not a question the name’s helped at most everywhere but not so much the states. With that it comes down to the strength or quality of the performance. Having the name kicks your ass every night as it’s not some side project or something u can fuck off in. You don’t deliver u get your ass handed to u. So it makes us work much harder than I feel we would outside of it and it hasn’t been too ugly yet.

Keeping the band name alive was very important. Not out of ego and I don't know exactly why in the sense of putting into words, but I think it has something to do with the global effect it has and how GUNS surviving in some way is sometimes inspiring to others around the world and in that there's a sense of obligation.

I don't regret keeping the name though I wish more were supportive or at least not as aggressively opposed.


As for what could make him change the name of the band:

As to what would possibly make me change the name would be some form of evolving that I don’t feel we’ve reached yet and not in any way consciously trying to at this time. It’s really hard to say. I’d have to feel it was right for me and those involved and whatever we’re doing at that time.


In 2020, Doug Goldstein would say he disagreed with Axl's decision to continue without changing the band name:

That was one of the arguments that Axl and I had when Slash left. I didn't think that he should call it Guns N' Roses anymore. And he disagreed with me. I thought that he should have called it, you know, just being facetious, but Axl Rose Project, something with his name, right? [...] I just said, "I don't know that you should taint the, what you had in the original name, by using it again." And you've heard my argument as to why I think Chinese Democracy took as long as it did because he was the only guy standing there as Guns N' Roses. So it's tough to let go of that.
Soulmonster
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