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SoulMonster

Welcome to the Jungle

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Welcome to the Jungle

Post by Soulmonster on Tue Aug 03, 2010 8:38 pm


WELCOME TO THE JUNGLE
Album:
Appetite for Destruction, 1987, track no. 1.

Written by:
Lyrics: Axl Rose.
Music: Slash.

Musicians:
Vocals: Axl Rose; lead Guitar: Slash; rhythm guitar: Izzy Stradlin; bass: Duff McKagan; drums: Steven Adler.

Live performances:
'Welcome to the Jungle' was played live for the first time at The Troubadour July 20, 1985. It is the most played GN'R song and has frequently been used as the show opener. In total it has, as of {UPDATEDATE}, at least been played {WTTJSONGS} times.
Lyrics:
Welcome to the jungle
       We got fun 'n' games
       We got everything you want
       Honey we know the names
       We are the people that can find
       Whatever you may need
       If you got the money honey
       We got your disease

In the jungle
       Welcome to the jungle
       Watch it bring you to your knees, knees
       I wanna watch you bleed

Welcome to the jungle
       We take it day by day
       If you want it you're gonna bleed
       But it's the price you pay
       And you're a very sexy girl
       That's very hard to please
       You can taste the bright lights
       But you won't get them for free
       In the jungle
       Welcome to the jungle
       Feel my, my, my serpentine
       I, I wanna hear yous-creem

Welcome to the jungle
       It gets worse here everyday
       Ya learn ta live like an animal
       In the jungle where we play
       If you got a hunger for what you see
       You'll take it eventually
       You can have anything you want
       But you better not take it from me

In the jungle
       Welcome to the jungle
       Watch it bring you to your knees, knees
       I wanna watch you bleed
 
      And when you're high you never
       Ever want to come down, YEAH!

You know where you are
       You're in the jungle baby
       You're gonna die
       In the jungle
       Welcome to the jungle
       Watch it bring you to your knees, knees
       In the jungle
       Welcome to the jungle
       Feel my, my, my serpentine
       In the jungle
       Welcome to the jungle
       Watch it bring you to your knees, knees
       In the jungle
       Welcome to the jungle
       Watch it bring you to your
       It's gonna bring you down!
       Ha!

   
Information:
This is perhaps the most well-known Guns N' Roses song. The song was slightly changed during taping of Appetite for Destruction: cutting the breakdown down from two repetitions to just one.

Quotes:
This song is for L.A.: This is called 'Welcome to the Jungle' [Los Angeles Street Scene, September 28, 1985]

[Axl] wrote the words in Seattle. It's a big city, but at the same time it's still a small city compared to [Los Angeles] and the things that you're gonna learn. It seemed a lot more rural up there. [Axl] just wrote how it looked to [him]. If someone comes to town and they want to find something, they can find whatever they want. [Hit Parader, March 1988]

"Welcome to the Jungle" is the first song that me and Axl wrote together. We still write the same way. We write a song in a day, in three hours of rehearsal, but it's not as desperate as it was [Guitar For The Practisigng Musician, September 1988]

It's about Hollywood streets; true to life [Geffen Press Kit, 1987]

[It] is an introduction to Guns N' Roses. That's the first song where Axl wrote lyrics and helped me to write. I had the riff part of it [Geffen Press Kit, 1987]

I consider the song to be the most representative of what we're like [Geffen Press Kit, 1987]

Talking about the period after the 'Hell Tour' to Seattle: Axl remembered a riff that I'd played him when he was living over at my mom's house, which was ages ago at this point: it was the introduction and the main riff to 'Welcome to the Jungle'. That song, if anything, was the first real tune that the band wrote together. We were sitting around rehearsal looking to write something new when that riff came to Axl's mind. " Hey, what about that riff you played me a while ago?" he asked. "When you were staying with me?" I asked. "Yeah. It was good. Let's hear it." I started playing it and instantly Steve came up with a beat, Duff joined in with a bass line, and away we went. I kept throwing parts out to build on it: the chorus part, the solo, as Axl came up with the lyrics. Duff was the glue on that song - he came up with the breakdown, that wild rumbling bass line, and Izzy provided the texture. In about three hours, the song was complete. The arrangement is virtually the same as it appears on the album. We needed an intro and I came up with one that day using the digital delay on my cheap Boss guitar pedal board. I got my money's worth out of that thing, because as crappy as it was, that pedal provided the tense echo effect that set the mood for that song and eventually the kickoff for our debut album [Bozza, Anthony, & Slash (2007). Slash. Harper Entertainment: New York]

I wrote the words in Seattle. It's a big city, but at the same time it's still a small city compared to L.A. It seemed a lot more rural up there. I Just wrote how L.A. looked to me. If someone comes to town and they want to find something, they can find whatever they want [Geffen Press Kit, 1987]

It's the perfect introduction to Guns N' Roses. (...) It came across, I think it was, on the third take. We did the whole album that way. Second or third take. That's where spontaneity comes from. If you don't get it by then, you've lost the feel of it [An Interview With The Gunners, Hit Parader - March 1988]

I also used one [a six string bass] on Appetite; "Welcome to the Jungle"'s got one. You can hear this "brriinnng" in the chords when it goes to the slow parts; that the six-string bass [Guitar World, February 1992]

I was at my house and I had that riff happening and Axl came over and he got those lyrics together, and then the band sort of arranged it. We got an arrangement for the whole band, 'cause that's how we work. Someone comes in with an idea and someone else has input and in that way everyone's happy. That came together really quickly too, that was arranged in one day [Guns N' Roses: The Hits - 1992]

I normally don't think about [the creative process]. I go in and sort of adapt. When I'm practising at home, I like to play a lot of chromatic stuff. I stop in between different notes and come up with different ideas and stuff. I'll play however many notes in succession, and all of a sudden I'll catch four and realise there's something there...and I'll start fucking with that. Rocket Queen is indicative of that approach - basically just sitting around and playing, maybe zoning out, watching TV and playing guitar at the same time. All of a sudden, the ear catches something. Welcome To The Jungle has a lot of that, too. It's more or less the same kind of way I've always written; if I'm just tying notes together, not really paying attention, when you catch onto something you start there and begin working on an actual tune [Total Guitar, January 1997]

We started to demo all the songs that we were considering for Appetite, and went through them with Mike [Clink] pretty much as we'd done them before with very few changes. The only creative shift that occurred was one of Alan [Niven]'s suggestions actually. In 'Welcome to the Jungle,' originally we repeated the section where Axl sings "When you're high, you never want to come down." Alan suggested taking one of them out. He was right. It made the song tighter [Bozza, Anthony, & Slash (2007). Slash. Harper Entertainment: New York, pp. 167]

I wrote that part [the intro with the delay] specifically with the effect in mind. I had one of those old, funky, grey, plastic Boss pedal boards, and one of the settings on it was delay. I turned it on and just started messing around. The line is pretty simple, but it sounded very cool with the echoed notes. What's funny is that there are those few extra notes at the very beginning-that diggita diggita-before the pattern kicks in. That's because whenever we would do that song I'd hit the first note a few times to make sure I was in time with the delay. And it just stuck as part of the intro [Guitar World, 2007 (?)]

'Welcome to the Jungle' started out with the main riff of the song, that descending riff, which I played for Axl at my house one afternoon. I have a vivid memory of that. At some point later on, the band was rehearsing and Duff came up with the breakdown section in the middle and I came up with the intro. That part was written with the delay in mind - I think I had just gotten one of those Boss delay units. It was one of those things were the synergy was such that the song came together in one afternoon. I remember the lyrics being especially poignant because they were written about Axl's experience in the streets and his whole summation of moving to Hollywood [Back to the Jungle, Guitar Edge Magazine, March 2007]

Much as I love New York City, I cringe at the thought of "Welcome to the Jungle" being played to pump up fans at Yankee Stadium. It is then that I am the opposite of pumped, and I always think to myself, "No. That song wasn't written for YOU guys!" [Hometown Songs for Hometown (Sports) Fans, Reverb Column, Seattle Weekly, November 2010]

We have agreed to disagree on a lot of things. I’ll give Slash credit, and he’ll give me credit, and we’ll take credit other times when the other guy’s like, “Wait—fuck, dude.” So, there’s this song I wrote when I was about 14 and recorded it with my first ever band, the Veins. [It was] the B-side of this single, a song called “The Fake.” If you ever get your hands on it, you’ll hear the “Welcome To The Jungle” riff. I always thought the riff was too good, so in my 19-year-old recollection, I thought I brought that riff in from “The Fake.” I’m pretty sure I did. It’s too late to argue. We split the publishing evenly, so none of us have had to, thank God. That was probably the smartest thing we did. You don’t hear any arguments about who wrote what, or who gives a fuck [The Onion A.V. Club, May 2011]

One of our signature songs [...] had an even longer gestation [than 'My Michelle'] - part of it went back to the very first song I ever wrote. Now in L.A. seven years later, the main riff from that first song came back to me as we were putting together another tune about the hardscrabble lives we lived. As with 'My Michelle,' one of Slash's amazing chiming staccato riffs became the intro, and the main section of the song hurtled along atop the riff from my Vains song 'The Fake,' now played on bass. Axl had some lyrical fragments he'd been working on since the Seattle trip, and we created an extended bridge around those - a dreamlike section echoing the words 'when you're high' devolved into a churning, nightmarish wash of sound of which Axl howled, "Do you know where you are?" [Duff's autobiography, "It's So Easy", 2011, p. 97]

About his favorite song from before Chinese Democracy: I liked 'Jungle' from the first time I heard it when it just came out. [Teraz Rock Magazine, July 2012]

I remember we were at this rehearsal space and Axl asked me about this riff I had, the one that would become "Welcome to the Jungle." I started out with it and I had three parts to it, it and everybody had input into it. It just became a song. It's a really strange arrangement. I don't think there's one orthodox arrangement on that record, and it's because everybody had input. I'd start out with a riff and maybe a verse part, and things would take on a life of their own. It was very spontaneous [Leslie West interviews Slash, August 2017]

'Welcome to the Jungle' performed live at the Ritz, February 2, 1988:



Last edited by Soulmonster on Thu Aug 31, 2017 7:49 pm; edited 13 times in total
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Re: Welcome to the Jungle

Post by Soulmonster on Tue Jun 07, 2011 7:11 am

A cool cover worthy to be added to the thread:

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Re: Welcome to the Jungle

Post by Soulmonster on Wed Jul 27, 2011 6:22 am

@Soulmonster wrote:A cool cover worthy to be added to the thread:


And a follow-up: http://www.nola.com/celebrities/index.ssf/2011/07/elton_john_snaps_up_hot_croati.html
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Re: Welcome to the Jungle

Post by Soulmonster on Sun Dec 18, 2011 8:24 pm

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Re: Welcome to the Jungle

Post by Soulmonster on Fri Feb 03, 2012 3:23 am

From a review of Etta James' last record:

What a pity that the world lost this 73-year-old legendary American songstress to complications from leukaemia last month.

But at least she left the music world on a high note: The Grammy-winning At Last singer's last album is strong, spirited and soulful. Her resonant renditions of slow-jams like Ray Charles' In The Evening are testament to her great talent.

The best part? The unexpectedly bluesy, altogether-fierce cover of Guns N' Roses hit, Welcome To The Jungle.

Source: http://www.asiaone.com/News/Latest%2BNews/Showbiz/Story/A1Story20120203-325612.html
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Re: Welcome to the Jungle

Post by Soulmonster on Mon May 07, 2012 3:26 am

Another cover:

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Re: Welcome to the Jungle

Post by Soulmonster on Wed May 08, 2013 12:32 am

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Re: Welcome to the Jungle

Post by Soulmonster on Tue Aug 01, 2017 6:30 am

Jeff Giles wrote:30 Years Ago: Guns N’ Roses Film Their ‘Welcome to the Jungle’ Video

On Aug. 1, 1987, Guns N’ Roses stepped in front of the cameras at the shoot for the music video that would launch their incredible career.

That clip, for the Appetite for Destruction track “Welcome to the Jungle,” served as proof of Geffen Records’ cautious investment in the rookie band. Destruction had only just entered stores a few days earlier, and the record’s first single, “It’s So Easy,” had already fizzled out on the charts; at the time, few suspected GNR’s powerful potential.

Perhaps for that reason, director Nigel Dick — already an MTV veteran through his work with Tears for Fears — kept things relatively simple at the shoot, lining up a performance at the Whisky a Go Go where they could be filmed running through the song onstage and playing it in front of fans. Between the live footage, the band members were shown on the streets of Los Angeles, reclining with runway-ready women, or — in frontman Axl Rose‘s case — mainlining cable news in front of a pile of televisions, Clockwork Orange style. All pretty standard stuff for the era, but as was so often the case with Guns N’ Roses, there were some hairy moments along the way.

Former manager Alan Niven, who credits himself with the idea of copping a Clockwork Orange vibe and blending it with Midnight Cowboy and The Man Who Fell to Earth, recalled guitarist Slash being a particular problem during the shoot. Niven told Rolling Stone that at one point, Slash “sort of kidnapped” a vehicle being used in the shoot — and the next day, after Niven banned alcohol from the set in response, he turned around and asked for a beer.

At another point, Niven recalled Slash wandering into the middle of L.A. traffic, waving a bottle of Jack Daniel’s at “terrified rush hour motorists” — a situation only brought to Niven’s attention by a member of the crew.

“I explained, in short syllable Anglo Saxon, and with a certain degree of firmness, that this was behavior that was not suited to the circumstances,” said Niven. “Slash looked me silently in the eye, then turned and walked home – some six or seven miles away.”

In the end, whoever was responsible for the ideas and whatever the problems that might have occurred along the way, the “Welcome to the Jungle” video lived up to Niven’s stated goals, blending the urban decay, aggressive nihilism, and dystopian overtones of its influences into a piece of work that fit within the established template for a hard rock video of the era while still suggesting that this was a band capable of breaking every rule. Fittingly, it stayed off the airwaves for months, as MTV execs refused to put it in rotation and Appetite languished in the lower reaches of the charts.

According to A&R exec Tom Zutaut, who signed Guns N’ Roses and proved one of their most dogged evangelists at Geffen during those make-or-break early days, the label was ready to abandon promotional efforts after nine months — a span in which Appetite for Destruction moved roughly 200,000 copies and was “seen as a failure.” Informed by his boss that the company was pulling the plug on the album, Zutaut went over his head and called label chief David Geffen, convincing him to make one last push; Geffen, in turn, called MTV’s CEO, who agreed to air the “Welcome to the Jungle” video at 4AM ET.

“The next day, I had multiple phone calls from my office,” Zutaut told LA Weekly. “I got in around four in the afternoon, and the head of promotion told me the video had lit up MTV’s switchboards. He was yelling hysterically and said MTV finally added the video into rotation after just one play of ‘Welcome to the Jungle.'”

After simmering for months, Appetite finally exploded, with third single “Sweet Child o’ Mine” hitting No. 1, “Welcome to the Jungle” breaking the Top 10 after being re-released to radio and “Paradise City” rounding out the record’s trio of crossover hits on the way to 30 million copies sold (and counting). Guns N’ Roses — and mainstream rock — would never be the same after “Jungle” finally reached the airwaves, but even on that L.A. shoot, Dick knew he was watching something special.

“I became, for a while, the go-to guy for that kind of band, and I’d get all these awful band managers coming up to me, ‘The job you did for that band was amazing, man, so you’ve got to do for my band what you did for Guns N’ Roses,'” he told Rolling Stone. “You just go, ‘Oh my God.’ If the guy ain’t Axl, he ain’t Axl. You can be the best video director in the world, but if the singer doesn’t have his oats together, you’re f—ed.”
Source: http://ultimateclassicrock.com/guns-n-roses-welcome-to-the-jungle-video/
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Re: Welcome to the Jungle

Post by Soulmonster on Tue Aug 01, 2017 6:34 am

More about the making of the music video:

"I came up with the idea of stealing from three movies: Midnight Cowboy, The Man Who Fell to Earth and Clockwork Orange," GN'R's then-manager Alan Niven says of the "Welcome To the Jungle" video. On the set, all hell broke loose. "Slash got completely out of it and tried to steal the motor home that we were shooting," director Nigel Dick says. "Suddenly the motor home took off and lurched across the street and made a U-turn and came scrunching to a halt. Slash sort of kidnapped the vehicle. The next day, I said, 'All right, we'll have no drink on set, we've got to be together.' The first person to come up to me is Slash, and he's apologizing. He says, 'I'm sorry I took the motor home up into the hills, I hope I didn't damage it too much.' I remember thinking, 'He crashed the motor home? Fuck!' He hadn't -- this was part of his vision of the night before. He said to me, 'So I understand we can't have drinks on the set. Can I have a beer, man, please? I can't remember what my response was, but I'm sure he got his way."
Source: http://www.rollingstone.com/music/news/guns-n-roses-video-history-behind-the-scenes-of-the-appetite-clips-20070803
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