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SoulMonster

2012.08.09 - Interview with Bumblefoot, AxVault

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2012.08.09 - Interview with Bumblefoot, AxVault

Post by Soulmonster on Thu Aug 09, 2012 6:33 am

AxVault exclusive Virtuoso Guitarist Ron ‘Bumblefoot’ Thal, GNR, Guns N’ Roses Current Guitarist. All around wizard

Posted on: August 9, 2012

AxVault recently had the pleasure to do an email interview with Ron ‘Bumblefoot’ Thal current guitarist for GNR and all around music master. He has been praised as one of the greatest guitarist of all time and when you hear the wide variety and styles and compositions he has written you will agree.

1) Thal’s song “Firebrand” was used as the opening theme for the TV show MXC (Most Extreme Elimination Challenge), the American adaptation of Takeshi’s Castle. He has also written and performed the theme song to VH1 Classic’s That Metal Show,[15] an edit of his song “Day To Remember” on his Forgotten Anthology album. Thal has licensed several of his recordings to television shows on MTV and VH1 such as Hogan Knows Best, The Real World, Made, The Osbournes, and others. Thal also wrote and recorded the music for the New York Islanders Hockey Team 2008–2009 season promos.(wikipedia).

What projects are you working on now?

Heeeeey! Just got home from a three-month European tour with GNR, slowly getting over that weird transition back to ‘normal life’, haha, ready to start being creative. I’ll be writing and recording and releasing and producing and guesting and teaching, maybe some light gigging, doing whatever I can before having to press the pause button on it all and hit the road again. I was planning on writing instrumental guitar music but every time I have a song idea I start thinking of vocal melodies and lyrics, gaaaaahhhh!!!!!

How did you get hooked up with the Mexican singer Poc?

Someone contacted me last year to co-write and produce her album, we Skype’d some ideas and then she stayed at my studio for two months and did the album, did some shows… kept a Livestream going to have fans virtually be there, had fans Skype their backing vocals for the song ‘Rock N Roll Baby’, that was cool. Did a lot of playing off the vocal lines, had a real singer/guitarist team to the songs – album is called “Rise Above”, it was her debut album ( [You must be registered and logged in to see this link.] ) I produced and released another album this year also from a female artist, Alexa Vetere from NYC – not the typical producing story… started in 2003, daughter of a friend, her goal was to release an album, she had never sang, written a song or played guitar. We started with guitar lessons, she’d play until her fingertips were literally black. Vocal lessons, songwriting, my solo band backed her for recordings and live shows in NY & LA, she got a nice guitar endorsement, we posted a song online and it ended up being #1 on the iHeartRadio Rock chart with 3.6 million plays. Then I started touring with GNR, she went to College, life went on. We kept in touch and always knew we’d release the music at some point, this year we finally did Smile ( [You must be registered and logged in to see this link.] ) I love producing – the collaborating and creating and making everything become a reality, it’s what I love most.

You compose, produce, and perform; what projects are you most proud of?

The last three albums, ‘Normal’ ( [You must be registered and logged in to see this link.] ), ‘Abnormal’ ( [You must be registered and logged in to see this link.] ) & the ‘Barefoot’ acoustic ep ( [You must be registered and logged in to see this link.] ), I feel the strongest connection to those albums. I had a lot of fun with the 2011 song-a-month releases, I liked the ease of releasing music a non-physical way, and was able to offer a lot more with each song – transcriptions and backing tracks, recording stems, things I *wish* I could have had for the music I grew up with… if you go to [You must be registered and logged in to see this link.] there’s a list of releases with links to info and soundclips…

You have played in so many styles? Is there any piece of music you can’t play and why?

I’m not so great at Flamenco… Razz I just need to devote myself to it, I really should put in the time.

You seem to be very helpful to young guitar players with the clinics and videos you do. What makes you so helpful to them? Was music a refuge for you growing up like it is for many kids and why?

Music definitely kept me out of trouble (some trouble, not all, haha) and was solace when needed. I’m more into the idea of teaching someone how to catch fish rather than just giving them fish – I share what I’ve learned, and what I’m still learning. Teaching people, empowering them.

On your re-release of “Adventures of Bumblefoot” in 2011, one of greatest guitar albums of all time, you released a transcription of the same album. Do you feel that written music still has a value to contemporary music in light of all the tablature that many guitarists rely on? If so why?

Ah, thanks! Music notation and TAB, each has something the other doesn’t. Notation is about the music, it’s more translatable to other instruments, but doesn’t capture the playing nuances that TAB does. You can get by with either, or neither depending on how good you are at defining what you hear, but if you want to be more than a guitarist, it’ll help a lot to know notation and theory. Info and samples of “The Adventures Of Bumblefoot” album & transcription book are at [You must be registered and logged in to see this link.]

Are there any great unknown guitarists past and present you think are amazing and why.

Aaahhhh, ‘unknown’ is such a subjective term, one person’s celebrity is another person’s “who?” Cool if we talk about some great accomplished players that aren’t on the lists as often as they should be…? It’s a list that could go on for miles, I’ll start with a few names. Elliot Easton – The Cars were one of those bands with perfect arrangements, the vocal melodies and keyboard melodies, the vocal harmonies, the sound of the toms, and Elliot Easton was a real badass player, tone, feel, technique, pocket, dynamics, taste… a big round of applause to him. Mike Campbell – love his playing on Tom Petty’s “Full Moon Fever” album… man, talk about someone that understands how important *space* is – space is what gives meaning to the moments you play, and when he plays every phrase is truly valuable. Vinnie Moore – I still remember seeing him with UFO a few years ago and as he had his moment in the song ‘Rock Bottom’ he just played and played and it was some of the best soloing I had seen, he just tore it up so ridiculously, it was inspiring, it was like getting a vitamin shot in the arm.

Beside your Vigier Guitars what guitars do you have in you collection? Acoustic and classical?

I still have my ol’ sunburst Gibson Les Paul, ’89 reissue of the ’59. I use Parkwood ( [You must be registered and logged in to see this link.] ) acoustic guitars, love the feel and love the tones I’ve gotten with them in the studio. With GNR there’s a Godin electric nylon string that I’d use in one of the newer songs… my favorite is definitely the Vigier double-neck fretless/fretted, can do everything with that one.

How much do you practice?

*NOT ENOUGH* haha… when I’m on tour I’ll walk around the venue with a guitar for a few hours before the show to get the hands & limbs warm, when I’m home maybe a half-hour a day. If I’m exercising with weights, I need more daily playing time to get the stiffness out of the hands and arms.

With all the new technology invading music and guitars what do you think guitar music will be like in 50 years?

It’ll sound like putting your ear to an airplane engine, just a big fat unrelenting block of noise that makes your skull implode – all due to 50 years of mastering engineers that made each recording ‘louder’ than the last…

Thanks again Ron

Thank YOU, a pleasure! Smile

~ Ron ‘Bumblefoot’ Thal
Source: [You must be registered and logged in to see this link.]
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